The title of the entry belongs to the name of the first arc of The Invisibles, "the comic genius of Grant Morrison. In the subsequent arcs, to make a comment I hope that fast, it shows much a problem we can easily detect many of the narrative in contemporary Argentina, where there is no "story" in the sense that very little happens or happens, and the novel is limited to presenting a character where you bring together different characteristics: for graphics, the character is an elephant in the middle east which leads in turn to another elephant, the family of that other elephant, a notebook drawn elephants, etc. And, by the weight, this one at all small animal moving is very difficult: it gives just a few steps. What else can you characterize a series of novels by young writers, within and outside the market mainstream, if not with this crude and unoriginal comparison? This novel model-Aira (again: people overwhelmed the few things that happen) premium for all sides, and is both a symptom of a state of contemporary literature that I dislike Argentina: on the one hand, we have these Puan glimpses novels, on the other novels largest circulation where it is necessary to resort to strategies of best-sellers (the plot, suspicion, etc.) as a poker tutor and then present a history of greater density, much richer, but to stand still believes it needs this plot only useful for the early chapters. In other words: a novel in which something happens, but mistakenly believe you need a plot as a framework to present a second story you much more. Two models
novel recently talked I do not know if I gave him an entry-way of the two existing models of Latin American literature, that is, the model-Sada ( rarely: the work of an author Fifty spends resting in a style worked over a lifetime, or deepening of style) or model-Thays ( Beanfield Oreja de Perro, that is: a young author who advocates a more measured prose, Hemingwayneana, Camuseana, where prime action and say the exact thing: Prose film?). Perhaps, in terms of narrative Argentina, would in the same line to Antonuccio Thays his novel Daughter, which I thought was very good (except the last chapter), but consider that this picture of the two continental models we add these two other national models proposed above. With regard to the prose that builds features into a character, I compare my statements seem consistent with the novel Felix The Topos Bruzzone, whose book of stories 76 seemed great, but this novel, published by Mondadori not. Now, on the model of plot-tutor, I recommend the latest book by Claudia Pineiro, cracks Jara : check if it is so necessary to raise the political intrigues at the beginning when the novel soon becomes a unique construction a character who, dead, begins to appear very slowly head through the surface. Review all these novels Radar: dig a little deeper into each of them, if they feel appropriate clarification.
At the national level, I'm expecting to see some writing that does not fall into these two models proposed. Eye: I'm no fool, put this in question to be always trying to write my first novel, all the time considering the state of prose (and poetry) today, knowing it will be horrible what comes out of this work, but eager to break the hymen scriptural. However, some authors will know that I find it mind-boggling new, nightmarish, intimate ... What will? I am obliged, in the next round, to review what circulates in the area I have at home regardless of a novel by Alejandro Farias that I do not know why, promises much. Await for more news. Said
I was going to be short, right? ...
novel recently talked I do not know if I gave him an entry-way of the two existing models of Latin American literature, that is, the model-Sada ( rarely: the work of an author Fifty spends resting in a style worked over a lifetime, or deepening of style) or model-Thays ( Beanfield Oreja de Perro, that is: a young author who advocates a more measured prose, Hemingwayneana, Camuseana, where prime action and say the exact thing: Prose film?). Perhaps, in terms of narrative Argentina, would in the same line to Antonuccio Thays his novel Daughter, which I thought was very good (except the last chapter), but consider that this picture of the two continental models we add these two other national models proposed above. With regard to the prose that builds features into a character, I compare my statements seem consistent with the novel Felix The Topos Bruzzone, whose book of stories 76 seemed great, but this novel, published by Mondadori not. Now, on the model of plot-tutor, I recommend the latest book by Claudia Pineiro, cracks Jara : check if it is so necessary to raise the political intrigues at the beginning when the novel soon becomes a unique construction a character who, dead, begins to appear very slowly head through the surface. Review all these novels Radar: dig a little deeper into each of them, if they feel appropriate clarification.
At the national level, I'm expecting to see some writing that does not fall into these two models proposed. Eye: I'm no fool, put this in question to be always trying to write my first novel, all the time considering the state of prose (and poetry) today, knowing it will be horrible what comes out of this work, but eager to break the hymen scriptural. However, some authors will know that I find it mind-boggling new, nightmarish, intimate ... What will? I am obliged, in the next round, to review what circulates in the area I have at home regardless of a novel by Alejandro Farias that I do not know why, promises much. Await for more news. Said
I was going to be short, right? ...
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